Iranian Studies Book Launch: Io parlo dai confini della notte [I Speak from the Edges of the Night / من از نهایت شب حرف میزنم]

The Gender of Poetry: Women Poets or Poets Who are Women!

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Bio: Fatemeh Keshavarz-Karamustafa, born and raised in the city of Shiraz, completed her studies in Shiraz University, and University of London. She taught at Washington University in St. Louis for over twenty years where she chaired the Dept. of Asian and Near Eastern Languages and Literatures from 2004 to 2011. In 2012, Keshavarz joined the […]

Afghanistan: A Conversation on the Current Situation

Aziz Froutan, Najia Zewari, and Niloufar Pourzand   Abstract: Afghanistan: A Conversation on the Current Situation, the Plight of Afghans, and the Role of  development/Humanitarian and Human Rights Partners  

Multilinguality in Iranian Cinema

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Saeed Zeydabadi-Nejad is a research associate at the University of London’s School of Oriental and African Studies (SOAS). His publications have focused on Iranian cinema and media. His monograph, The Politics of Iranian Cinema: Film and Society in the Islamic Republic (Routledge, 2010), is ground-breaking in its ethnographic engagement with the question of media audiences […]

Poetic Pictures: The Feminization of Iranian Cinema

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Kamran Talattof received his Ph.D. from The University of Michigan in 1996, and he has been teaching at the University of Arizona since 1999 after teaching at Princeton University for three years. He is currently a full professor for the Department of Near Eastern Studies while holding an affiliation with the Department of Gender and […]

Towards a Cinema of Empathy

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Laudan Nooshin is Professor of Music at City, University London, UK. She is an active researcher working in the broad field of Iranian music and sound studies. She has published books and articles on Iranian classical, popular and film music, and is currently writing a volume on the sounds of Tehran (supported by a Fellowship […]

Depicting the Others: Zhale Qa’em-Maqami and the Function of Poetry

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Professor Asghar Seyed-Gohrab is the new chair of Iranian and Persian studies at Utrecht University. Central to Seyed-Gohrab’s research is the study of medieval Persian poetry (both secular and religious) and its reception in the modern world, examining how medieval poetry, mystical concepts, and philosophical notions are deployed in modern Iranian politics, in popular culture, […]

Subaltern Consciousness in Asghar Farhadi’s The Salesman

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Pedram Partovi, an associate professor of history at American University, is a historian of the medieval and modern Muslim world. His current research focuses on the history of youth movements and their role in creating and disrupting the political order in Iran and the wider Middle East. He previously held a visiting professor position in […]

The Poetics of Threshold

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Farzaneh Milani completed her graduate studies in comparative literature at the University of California, Los Angeles. Her dissertation, “Forugh Farrokhzad: A Feminist Perspective,” is a critical study of the poetry of a pioneering Iranian poet. A past president of the Association of Middle Eastern Women Studies in America, Milani was the recipient of an All […]

The Soundscape in Diasporic Iranian Cinema

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Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego and Associate Editor of the Journal of Popular Music Studies.She is the author of Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015) and Switched-on Bach (Bloomsbury […]

Relaying Cinema in Mid-century Iran

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Kaveh Askari is an associate professor in the film studies program at Michigan State University and author of Making Movies into Art: Picture Craft from the Magic Lantern to Early Hollywood (BFI, 2014). He has co-edited four volumes of essays on film history including, most recently with Samhita Sunya, a special issue of Film History […]