End Gender Apartheid, Build Peace

A History of Iranian Women’s Poetry

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Ruhangiz Karachi is Professor Emerita of Literature at the Humanities and Cultural Studies Institute-Tehran. A pioneering scholar of women's poetry and an accomplished poet, Karachi received her Ph.D. from the University of Bombay in 1985, from where she went on to author and edit 16 monographs, three collections of poetry, and numerous journal articles. Her […]

The City in Film: Imagining Post-WWII Iran in “Film-Farsi” Popular Cinema

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Professor Golbarg Rekabtalaei is an assistant professor of history and the co-director of the Middle Eastern Studies Program at Seton Hall University. As a cultural and social historian of modern Iran and the modern Middle East, her research focuses on the relationships between culture and cultural production, modernity, cosmopolitanism, urbanization, nationalism, and revolution. More specifically, […]

The International Reception of Iranian Cinema, 2000-2013

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Dr. Anne Démy-Geroe teaches Asia Pacific cinema at Griffith University. An inaugural member of the Nominations Council for the Asia Pacific Screen Awards, a Vice President of NETPAC, and a Co-Director of the Asia Pacific Screen Lab, Anne was the inaugural Director of the Brisbane International Film Festival from 1991 to 2010 and co-Director of […]

Forugh Farrokhzad, Modernity and Madness

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Dr. Leila Rahimi Bahmany is a research fellow and lecturer of the Persian language at the Goethe University Frankfurt am Main. Iranian women’s literature and feminist literary theories are her main fields of research. She has authored several book chapters and encyclopedia articles on Persian literature. Her book, Mirrors of Entrapment and Emancipation: Forugh Farrokhzad […]

Rakhshan Banietemad’s Social Realism

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Maryam Ghorbankarimi is a lecturer in film practice at Lancaster University. She completed her Ph.D. in film studies at the University of Edinburgh in 2012 and her dissertation was published as a book entitled A Colourful Presence; The Evolution of Women’s Representation in Iranian Cinema (Cambridge Scholar 2015). Her edited volume ReFocus: The Works of […]

Shame, Stigma and Sin: From Tahirih, to Forugh, to Us

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Sholeh Wolpé is an Iranian-bon poet, playwright and librettist. About her poems, the Poetry Foundation writes, “Wolpé’s concise, unflinching, and often wry free verse explores violence, culture, and gender.” Named a “2020-2021 Cultural Trailblazer” by the City of Los Angeles Department of Cultural Affairs, Wolpéis the recipient of the 2014 PEN/Heim, 2013 Midwest Book Award, […]

Precarity and Possibility: The Labor of Underground Video Dealers in Iran

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Blake Atwood is an Associate Professor of Media Studies at the American University of Beirut, where he also serves as the Chair of the Department of Sociology, Anthropology, and Media Studies. He has published widely on media in Iran and Lebanon. He is the author of Reform Cinema in Iran: Film and Political Change in […]

Sonia Balassanian: Writing the lmpossible

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Claudia Yaghoobi is a Roshan Institute Associate Professor in Persian Studies at the University of North Carolina, Chapel Hill. She is the author of Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Literature and Film (Cambridge UP, 2020) and Subjectivity in ‘Attar, Persian Sufism, and European Mysticism (Purdue UP, 2017). Focusing on […]

Pioneer Female Directors, Writers and Producers in Iranian Cinema

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Khatereh Sheibani is a researcher of Iranian cinema and Persian literature. She has established Persian studies at York University, Canada, where she is currently teaching courses on Persian literature and culture, Iranian cinema, and Middle Eastern cinemas. Khatereh completed her doctorate degree in Comparative Literature and Film Studies at the University of Alberta, Canada in […]

Women Depicting Freedom of Movement in Iranian Cinema

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Professor Nacim Pak-Shiraz is Personal Chair in Cinema and Iran, and Head of the Department of Islamic and Middle Eastern Studies at the University of Edinburgh. She has published in the fields of visual cultures, constructions of masculinity, and the engagement of religion and film. She has authored Shi’i Islam in Iranian Cinema: Religion and […]